Thirteen compositions from Trey's catalog, plus a bonus transcriptions of his parts from the King Crimson piece "The ConstruKction of Light." Beautifully spiral bound in a 12"x9" text.
From a letter I sent out to my coaching clients 2.15.2014
This post references a recommendation I made about a composer's workshop in NYC led by trumpeter Dave Douglas.
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Great freed back from Alec who made it to the second day of Dave Douglas' workshop in NYC. I had a hunch that Dave's vibe would resonate with some of us here. Dave's sense, and practice, of putting intention into a single, simple line goes well beyond his genre and beyond most musicians I know.
I have probably mentioned this before, but I will again.
Dave's article on ear training>
This is a ridiculously beautiful place. Sadly, I am missing my son’s 16th birthday, but he and I did get to spend nearly two weeks traveling through Navajo land last month. (High points: Canyon de Chelly, Grand Canyon, and Chaco Canyon in midnight moonlight).
This was our second annual tapping workshop and a huge leap beyond last year’s course. A leap in terms of what we were able to tackle, but also in the level of improvement in peoples' playing. And in only 5 days. We even had two people come who had never played a touch guitar before. By the end of the week they were playing music along with the rest of us. Quite amazing, actually.
This year’s course was held in a different location and with no kitchen staff. Our quarters were much closer and we cooked for ourselves. Both these things could appear to be a drag. But, in fact, they were huge bonuses. This is something proved again and again in the world of Guitar Craft: work well together in the kitchen and you can clearly work better together onstage. Work on either one and both improve.
I have been experimenting with a new kind of listening over the last year.
For reasons partially, but not completely, clear to me I am finding that my ear has developed a kind of threshold. This threshold is not just volume oriented, it is also information oriented. Once I cross this threshold my ears shut down -- both internally and externally. Meaning that not only does my inner ear shut down and I cannot bear to listen anymore, but my physical ears don't want any more sound either. They kind of stuff themselves up.